They trade courtroom dramatics, then find themselves competing in more profound realms involving morality, life, and death. Willy's proper focus is the same as the film's: his relationship with Ted. She's pretty and well-appointed, but Willy soon finds himself more drawn to her father - a wise, moral-minded judge ( Bob Gunton) - than he is to her. To this end, he falls for Nikki (Rosamund Pike), the woman who will be his boss at the swanky firm she promises him a "trial by fire" in his first case and invites him into her bed to boot. Willy's boss, Joe ( David Strathairn), suggests that the young lawyer's impressive 97% conviction rate has something to do with how good he is at this particular job (putting criminals away, rather than getting them off), but Willy believes he deserves to move up. It's easy to see that he knows exactly what he's doing, but because Willy is distracted, he doesn't take the case as "seriously" as he should. A husband is on trial for the attempted murder of his wife, in what is seemingly an open/shut case for the ambitious district attorney trying to put him away. Willy and Ted face off for the first time during a hearing at which Ted announces that he'll defend himself. AKA: Fracture 2007,, Crimen perfecto, Das perfekte Verbrechen. The fact that the adulterous couple don't tell each other their real names leads to increasing trouble for Rob - and for Willy, who's charged with putting Ted in prison. Willy's nemesis is Ted ( Anthony Hopkins), who shoots his lovely younger wife, Jennifer ( Embeth Davidtz), angry that she's been sleeping with a detective, Rob (Billy Burke). firm, superstar deputy district attorney Willy ( Ryan Gosling) has one teeny case to finish first – a case that will teach him the usual lessons about justice, power, and arrogant villainy. When Willy's boss talks with him about being taken off the case, Willy responds: "Even if I find new evidence?" To which his boss retorts: "From where, the evidence store?" Despite a seriously flawed script, "Fracture" is a highly absorbing movie, thanks largely to meticulous production values, and to shrewd performances from Anthony Hopkins and Ryan Gosling.Offered a fancy job with a glossy L.A. Dialogue is generally effective, and includes some witty lines. And sound effects, so often ignored in many films, further add to the realism of the settings. I also liked the use of a wide-angle lens in the courtroom scenes. The film's color cinematography is very good, and includes some unusual camera angles. And it's the back and forth verbal sparring between these two that make "Fracture" so entertaining. Fracture is packed with twists and turns that weave in and out of the courtroom as the pair try to outwit each other. Nevertheless, Gosling's performance is both lively and credible. When a meticulous structural engineer (Hopkins) is found innocent of the attempted murder of his wife (Embeth Davidtz), the young district attorney (Gosling) who is prosecuting him becomes a crusader for justice. I would not have cast Ryan Gosling, with his boyish looks, as an assistant DA. Anthony Hopkins is well cast as Crawford, and gives a predictably adroit performance. But, if you don't pay too much attention to these annoying little details, the plot does roll merrily along with some good drama and suspense. The entire concept borders on implausibility. And the overall plot progression depends on various contrivances that include, but are not limited to, police procedures. (refer to Appendix A for the online Supplementary Data, Movie S1). There are also some problems toward the film's end that involve hospital protocol. Experimental Reconstruction of a Crack Studying ductile fracture processes (void. I question how Crawford can know all that he knows, with such certainty. That Crawford likes playing games with the system quickly becomes apparent, and is the force that propels the plot forward. He then dares the criminal justice system, in the person of assistant district attorney Willy Beachum (Ryan Gosling), to convict him. Very elaborate and detailed production design contributes a sense of authenticity to this story, set in Los Angeles, about a highly intelligent and wealthy older man named Ted Crawford (Anthony Hopkins) who kills his unfaithful wife.
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